Azimuth refers to the angular relationship between the recording tape and the record
head (and play head) head gaps. Adjustments are particularly critical, especially in the
case of short wavelength (high frequency) signals. The head gap must be exactly
perpendicular to the direction of the tape travel; that is, the tape travels across the
head gap at a 90 degree angle.

If the angle is not 90 degrees, you will hear varying qualities of muddy sound, as the
maximum amount of high frequency energy recorded on the tape cannot be picked up up by the
tape head. Generally, tape heads are held in place by means of setscrews. Turning the
azimuth set screw physically moves the head in the angle shown in the illustration.
On analog cassette machines, azimuth is so important that most pro machines have a small
access hole on the tape cover to permit screwdriver access to the azimuth setscrew.
Listen to this example (2.06MB WAV file) of playback from an
out-of-azimuth cassette recorder, and listen to the improvement in fidelity as the
setscrew is turned, bringing the playback head back into azimuth with the cassette. Quite
dramatic indeed! If you'd like, you can download the same audio example
as an AU file (1.03MB) , or as an ADPCM
WAV file (556KB). Please note that the ADPCM version has audible artifacts, such as
"halo-ing" that are a result of the ADPCM encoding.
This is an illustration showing the location of the Azimuth Adjustment screw in a Sony
TCD5 Pro II cassette recorder. Notice that the FWD (play) button is depressed to extend
the heads.Many analog cassette machines have their azimuth adjustment screw in a similar
location. 
IMPORTANT NOTES!: